Want better audio Watch this video How To Get The Best sound out of your Microphone - Blue Yeti - Tips Today i will be using the Blue Yeti. Ill show you how to get the best sound out of any mic one major tip is to use a Nady mpf Filter My pop filter Review www.youtube.com Tips 1 *Listen*. If the track sounds like crap, move the microphone. Omni mics don't necessarily mean "bleed." Try one up close. No proximity! If a client blows into a mic to test it, immediately explain that that's bad for the mic. While beating him with it. Put a fig-8 mic under the cardioid on acoustic guitar. Mid-Side = instant free stereo ambience. Adjust to taste at mix time. Put a second mic 10′ away from the cabinet or acoustic instrument, for ambience. Need a tight, 'poppy' kick sound? Try a boundary mic: crown PZM or Shure Beta 91A on a pillow inside the drum. Fix the room. Make ALL your mics sound better. Buy cables with 90-degree female XLR ends for your end-address snare and tom mics. The drummer will thank you. Try bringing the vocal mic in from above, nose height, angled down. Reduces plosives and makes the singer stand up straight. Need more lows to thicken up a guitar? Try a ribbon mic. Proximity can be your friend. Check phase coherency of kick, snare, and OH mics *before* you record. Life is too short for crappy cables. Tracking a band live? Dynamic mics will pick up much less bleed/ambient sound than condensers. Bulk mic cable costs /ft. Commercial XLR cables cost .50-2.00/ft ...
Monday, 21 January 2013
How To Get The Best sound out of your Microphone - Blue Yeti - Tips
How To Get The Best sound out of your Microphone - Blue Yeti - Tips Tube. Duration : 2.98 Mins.
Want better audio Watch this video How To Get The Best sound out of your Microphone - Blue Yeti - Tips Today i will be using the Blue Yeti. Ill show you how to get the best sound out of any mic one major tip is to use a Nady mpf Filter My pop filter Review www.youtube.com Tips 1 *Listen*. If the track sounds like crap, move the microphone. Omni mics don't necessarily mean "bleed." Try one up close. No proximity! If a client blows into a mic to test it, immediately explain that that's bad for the mic. While beating him with it. Put a fig-8 mic under the cardioid on acoustic guitar. Mid-Side = instant free stereo ambience. Adjust to taste at mix time. Put a second mic 10′ away from the cabinet or acoustic instrument, for ambience. Need a tight, 'poppy' kick sound? Try a boundary mic: crown PZM or Shure Beta 91A on a pillow inside the drum. Fix the room. Make ALL your mics sound better. Buy cables with 90-degree female XLR ends for your end-address snare and tom mics. The drummer will thank you. Try bringing the vocal mic in from above, nose height, angled down. Reduces plosives and makes the singer stand up straight. Need more lows to thicken up a guitar? Try a ribbon mic. Proximity can be your friend. Check phase coherency of kick, snare, and OH mics *before* you record. Life is too short for crappy cables. Tracking a band live? Dynamic mics will pick up much less bleed/ambient sound than condensers. Bulk mic cable costs /ft. Commercial XLR cables cost .50-2.00/ft ...
Want better audio Watch this video How To Get The Best sound out of your Microphone - Blue Yeti - Tips Today i will be using the Blue Yeti. Ill show you how to get the best sound out of any mic one major tip is to use a Nady mpf Filter My pop filter Review www.youtube.com Tips 1 *Listen*. If the track sounds like crap, move the microphone. Omni mics don't necessarily mean "bleed." Try one up close. No proximity! If a client blows into a mic to test it, immediately explain that that's bad for the mic. While beating him with it. Put a fig-8 mic under the cardioid on acoustic guitar. Mid-Side = instant free stereo ambience. Adjust to taste at mix time. Put a second mic 10′ away from the cabinet or acoustic instrument, for ambience. Need a tight, 'poppy' kick sound? Try a boundary mic: crown PZM or Shure Beta 91A on a pillow inside the drum. Fix the room. Make ALL your mics sound better. Buy cables with 90-degree female XLR ends for your end-address snare and tom mics. The drummer will thank you. Try bringing the vocal mic in from above, nose height, angled down. Reduces plosives and makes the singer stand up straight. Need more lows to thicken up a guitar? Try a ribbon mic. Proximity can be your friend. Check phase coherency of kick, snare, and OH mics *before* you record. Life is too short for crappy cables. Tracking a band live? Dynamic mics will pick up much less bleed/ambient sound than condensers. Bulk mic cable costs /ft. Commercial XLR cables cost .50-2.00/ft ...
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