Buy the Juno Gi here... www.nevadamusic.co.uk The Juno has been around since the 1980's and was resurrected a few years back in 2005 with a new up to date version, since its resurrection it has gone through some subtle model changes and now here's the latest version of this popular synthesizer keyboard. The Roland Juno Gi is effectively a major upgrade from the Juno G and as such has 128Mb of waveform ROM (which incidentally is twice as much Waveform ROM as its pre-decessor the Juno G) and now contains over 1300 sounds. The Gi has an arpeggiator and can also manage chord memory functionality but perhaps the most welcome addition to this new keyboard is the 8 track recorder, as is the usual case with Roland the sonic features and qualities are up to the highest standards and the recording resolution is 16-bit 44.1kHz. Simply connect to the line or mic inputs and away you go, two tracks can be recorded simultaneously, and tracks can also be bounced together to create additional track space - plus you can also record direct from the synth itself. Data can be recorded onto either an SD or an SDHC memory card which makes it easier to move the data about ... The internal recorder has its own dedicated rhythm track and provides the capability to add insert effects to the input and record them too, then master and export. The conclusion to all of this is a 16-bit WAV file which can be imported to your computer and subsequently for burning to a CD, or for further editing.It must ...
Showing posts with label Nevada. Show all posts
Showing posts with label Nevada. Show all posts
Friday, 1 February 2013
Roland Juno Gi Keyboard Demo with Luke Edwards @ Nevada Music UK
Roland Juno Gi Keyboard Demo with Luke Edwards @ Nevada Music UK Tube. Duration : 11.77 Mins.
Buy the Juno Gi here... www.nevadamusic.co.uk The Juno has been around since the 1980's and was resurrected a few years back in 2005 with a new up to date version, since its resurrection it has gone through some subtle model changes and now here's the latest version of this popular synthesizer keyboard. The Roland Juno Gi is effectively a major upgrade from the Juno G and as such has 128Mb of waveform ROM (which incidentally is twice as much Waveform ROM as its pre-decessor the Juno G) and now contains over 1300 sounds. The Gi has an arpeggiator and can also manage chord memory functionality but perhaps the most welcome addition to this new keyboard is the 8 track recorder, as is the usual case with Roland the sonic features and qualities are up to the highest standards and the recording resolution is 16-bit 44.1kHz. Simply connect to the line or mic inputs and away you go, two tracks can be recorded simultaneously, and tracks can also be bounced together to create additional track space - plus you can also record direct from the synth itself. Data can be recorded onto either an SD or an SDHC memory card which makes it easier to move the data about ... The internal recorder has its own dedicated rhythm track and provides the capability to add insert effects to the input and record them too, then master and export. The conclusion to all of this is a 16-bit WAV file which can be imported to your computer and subsequently for burning to a CD, or for further editing.It must ...
Buy the Juno Gi here... www.nevadamusic.co.uk The Juno has been around since the 1980's and was resurrected a few years back in 2005 with a new up to date version, since its resurrection it has gone through some subtle model changes and now here's the latest version of this popular synthesizer keyboard. The Roland Juno Gi is effectively a major upgrade from the Juno G and as such has 128Mb of waveform ROM (which incidentally is twice as much Waveform ROM as its pre-decessor the Juno G) and now contains over 1300 sounds. The Gi has an arpeggiator and can also manage chord memory functionality but perhaps the most welcome addition to this new keyboard is the 8 track recorder, as is the usual case with Roland the sonic features and qualities are up to the highest standards and the recording resolution is 16-bit 44.1kHz. Simply connect to the line or mic inputs and away you go, two tracks can be recorded simultaneously, and tracks can also be bounced together to create additional track space - plus you can also record direct from the synth itself. Data can be recorded onto either an SD or an SDHC memory card which makes it easier to move the data about ... The internal recorder has its own dedicated rhythm track and provides the capability to add insert effects to the input and record them too, then master and export. The conclusion to all of this is a 16-bit WAV file which can be imported to your computer and subsequently for burning to a CD, or for further editing.It must ...
Wednesday, 30 January 2013
Focusrite Saffire Pro 14 , 24 and 24DSP Audio Interface Overview - Nevada Music UK
Focusrite Saffire Pro 14 , 24 and 24DSP Audio Interface Overview - Nevada Music UK Tube. Duration : 9.68 Mins.
Buy Here.. www.nevadamusic.co.uk Chris from Focusrite UK runs us through the Saffire Pro 14, 24 and 24DSP audio/midi firewire interfaces. The Focusrite Saffire Pro 24 DSP is physically almost the same as the previous sibling model - The Saffire Pro 24, the only hardware difference being an extra headphone input over the standard model Pro 24. However the real star features of the Pro 24 come from the added software functionality that the DSP (Digital Signal Processing) has added to this already popular Firewire Audio interface ... So having established that the only physical difference on the Pro 24 DSP is an additional headphone input let's move straight on to the DSP features, firstly Focusrite have added something called VRM (Virtual Room Monitoring) - this will be a godsend for all those of you who are forced to mix down your latest musical masterpiece on headphones... VRM emulates a variety of speaker characteristics AND it also emulates different room scenarios, in fact Focusrite offer 100 differnt monitoring scenarios including different brands of monitor, different rooms sizes and different listening positions ... However, there are a few more tricks up the sleeve of the Pro 24 DSP aside from the VRM functionality, for example there's also DSP-powered Compression and EQ with all of the appropriate adjustment parameters and along with this you have the addition of "Comfort Reverb" which is DSP generated reverb that can be added to enhance the tracking and mixing ...
Buy Here.. www.nevadamusic.co.uk Chris from Focusrite UK runs us through the Saffire Pro 14, 24 and 24DSP audio/midi firewire interfaces. The Focusrite Saffire Pro 24 DSP is physically almost the same as the previous sibling model - The Saffire Pro 24, the only hardware difference being an extra headphone input over the standard model Pro 24. However the real star features of the Pro 24 come from the added software functionality that the DSP (Digital Signal Processing) has added to this already popular Firewire Audio interface ... So having established that the only physical difference on the Pro 24 DSP is an additional headphone input let's move straight on to the DSP features, firstly Focusrite have added something called VRM (Virtual Room Monitoring) - this will be a godsend for all those of you who are forced to mix down your latest musical masterpiece on headphones... VRM emulates a variety of speaker characteristics AND it also emulates different room scenarios, in fact Focusrite offer 100 differnt monitoring scenarios including different brands of monitor, different rooms sizes and different listening positions ... However, there are a few more tricks up the sleeve of the Pro 24 DSP aside from the VRM functionality, for example there's also DSP-powered Compression and EQ with all of the appropriate adjustment parameters and along with this you have the addition of "Comfort Reverb" which is DSP generated reverb that can be added to enhance the tracking and mixing ...
Saturday, 12 January 2013
Marshall AS50D Acoustic Amplifier Demo - Nevada Music UK
Marshall AS50D Acoustic Amplifier Demo - Nevada Music UK Video Clips. Duration : 8.78 Mins.
www.nevadamusic.co.uk Chris George goes through the features and sounds of the 50 watt Marshall AS50D acoustic amp. Ideal for small gigs, band acoustic backline amp, home practice and recording. 2 Channels means you can plug in your guitar plus another mic/ line in / iPod / 2nd guitar. For more volume and channels check out the Marshall AS100D combo. The 50 watt combo has 2 x 8 speakers and a new polydome tweeter running between two channels. Channel 1 is a high impedance acoustic guitar input with volume bass and treble controls, whereas channel 2 has an XLR phantom-powered mic input, phone inputs for CD, tape or iPod, plus a jack input for drum machines, keyboards or guitars as well a bass and treble controls. Digital chorus can be assigned to either or both channels and has its own speed and depth controls. Digital reverb can also be shared between one or both channels and has its own level control. To help reduce unwanted feedback, the AS50D has a phase switch and a notch filter. Just turn the notch filter control and it sweeps through different frequencies until the feedback is reduced. There is a XLR DI output and jack line output on the rear panel to connect to other amps or the PA system. Both carry the same sound but at different levels and both are placed before the amps master volume so the overall level of the amp wont affect the DI/line out level, clever stuff. FX send and return sockets are provided to patch other effects in.
www.nevadamusic.co.uk Chris George goes through the features and sounds of the 50 watt Marshall AS50D acoustic amp. Ideal for small gigs, band acoustic backline amp, home practice and recording. 2 Channels means you can plug in your guitar plus another mic/ line in / iPod / 2nd guitar. For more volume and channels check out the Marshall AS100D combo. The 50 watt combo has 2 x 8 speakers and a new polydome tweeter running between two channels. Channel 1 is a high impedance acoustic guitar input with volume bass and treble controls, whereas channel 2 has an XLR phantom-powered mic input, phone inputs for CD, tape or iPod, plus a jack input for drum machines, keyboards or guitars as well a bass and treble controls. Digital chorus can be assigned to either or both channels and has its own speed and depth controls. Digital reverb can also be shared between one or both channels and has its own level control. To help reduce unwanted feedback, the AS50D has a phase switch and a notch filter. Just turn the notch filter control and it sweeps through different frequencies until the feedback is reduced. There is a XLR DI output and jack line output on the rear panel to connect to other amps or the PA system. Both carry the same sound but at different levels and both are placed before the amps master volume so the overall level of the amp wont affect the DI/line out level, clever stuff. FX send and return sockets are provided to patch other effects in.
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