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Showing posts with label Videomic. Show all posts
Showing posts with label Videomic. Show all posts
Tuesday, 12 March 2013
RØDE VideoMic Unboxing, Review, & Sound Test (With the Canon T4i and Galaxy S3 Smartphone)
RØDE VideoMic Unboxing, Review, & Sound Test (With the Canon T4i and Galaxy S3 Smartphone) Tube. Duration : 11.80 Mins.
FOLLOW DigitalTech on Twitter: https://twitter.com/#!/DigiTechReviews LIKE DigitalTech on Facebook: http://www.facebook.com/DigitalTechReviews Outro music by...
FOLLOW DigitalTech on Twitter: https://twitter.com/#!/DigiTechReviews LIKE DigitalTech on Facebook: http://www.facebook.com/DigitalTechReviews Outro music by...
Labels:
Behind,
Galaxy,
Monogram,
Perry,
Review,
smartphone,
Unboxing,
Videomic,
Walkthrough,
Wheres
Sunday, 10 March 2013
Canon EOS 650D Microphone Test - Rode Videomic Pro & Micronic Lapel Mics
Canon EOS 650D Microphone Test - Rode Videomic Pro & Micronic Lapel Mics Tube. Duration : 2.90 Mins.
Canon EOS 650D Microphone Test - Rode Videomic Pro & Micronic Lapel Mics ... in this video I leave the Canon 650D focus mode to auto, then experiment with wh...
Canon EOS 650D Microphone Test - Rode Videomic Pro & Micronic Lapel Mics ... in this video I leave the Canon 650D focus mode to auto, then experiment with wh...
Thursday, 14 February 2013
RODE SVM Stereo VideoMic for camcorders
RODE SVM Stereo VideoMic for camcorders Tube. Duration : 5.10 Mins.
www.dvestore.com Hear the quality of this lightweight on-camera mic. Use it to record music, dialogue or just ambient sound. We like to use the RODE SVM on a boom pole. The bottom of the SVM is threaded to accept a standard 3/8" pole mount. An accessory called the RODE VC1 extension cable allows you to move the mic closer to the subject. The RODE Stereo Video mic offers outstanding build quality, superb sound and is a great value - especially with the included FREE wind protection Subscribe to our YouTube channel www.youtube.com DVeStore on Facebook www.facebook.com guycochran.com guycochran.com DVeStore Theatre guycochran.com DV Gear Talk Blog dvgeartalk.blogspot.com Guy Cochran's Twitter twitter.com DVeStore's Twitter twitter.com DVeStore on Vimeo vimeo.com
www.dvestore.com Hear the quality of this lightweight on-camera mic. Use it to record music, dialogue or just ambient sound. We like to use the RODE SVM on a boom pole. The bottom of the SVM is threaded to accept a standard 3/8" pole mount. An accessory called the RODE VC1 extension cable allows you to move the mic closer to the subject. The RODE Stereo Video mic offers outstanding build quality, superb sound and is a great value - especially with the included FREE wind protection Subscribe to our YouTube channel www.youtube.com DVeStore on Facebook www.facebook.com guycochran.com guycochran.com DVeStore Theatre guycochran.com DV Gear Talk Blog dvgeartalk.blogspot.com Guy Cochran's Twitter twitter.com DVeStore's Twitter twitter.com DVeStore on Vimeo vimeo.com
Labels:
camcorders,
Stereo,
Videomic
Sunday, 10 February 2013
Rode VideoMic Pro Review vs Rode VideoMic - DSLR FILM NOOB
Rode VideoMic Pro Review vs Rode VideoMic - DSLR FILM NOOB Tube. Duration : 4.68 Mins.
www.dslrfilmnoob.com The rode VideoMic pro has been around for awhile, but I finally came up with a good enough excuse to buy one. Although the audio tests don't show any real difference in audio quality, the higher price of the VideoMic pro gives you a much smaller and lighter package. The new design has better suspension system and the +20db switch gives you a much stronger audio single for cameras with poor or noise amplifiers. Pros: Smaller Size Better shock mount design +20db audio output for stronger mic signals Cons: Flimsy looking audio cable If you need a smaller on camera microphone or a stronger audio signal for your camera, it's worth the extra to for the VideoMic pro. If you don't care about the large size of the original VideoMic and don't have problems with the output volume, you'll probably be just as happy with the original Rode VideoMic. Update: Right after I posted this video I was sent a link from Rode saying the thinner cable was reinforced by some kind of material. Hopefully that is correct. If it is then the thinner cable is probably a good thing. Also there is a mistake at the 4 min mark where I accidentally refer to the original Rode VideoMic as the VideoMic Pro. It's to late to fix that one, sorry guys. You can pick up the Rode VideoMic here: www.amazon.com You can pick up the Rode VideoMic Pro here: www.amazon.com Equipment used in this video: Canon 7d & t2i Canon 35mm f1.4 Canon 24mm f1.4 Sigma 24mm f1.8 Zoom h4n Rode VideoMic Pro Rode ...
www.dslrfilmnoob.com The rode VideoMic pro has been around for awhile, but I finally came up with a good enough excuse to buy one. Although the audio tests don't show any real difference in audio quality, the higher price of the VideoMic pro gives you a much smaller and lighter package. The new design has better suspension system and the +20db switch gives you a much stronger audio single for cameras with poor or noise amplifiers. Pros: Smaller Size Better shock mount design +20db audio output for stronger mic signals Cons: Flimsy looking audio cable If you need a smaller on camera microphone or a stronger audio signal for your camera, it's worth the extra to for the VideoMic pro. If you don't care about the large size of the original VideoMic and don't have problems with the output volume, you'll probably be just as happy with the original Rode VideoMic. Update: Right after I posted this video I was sent a link from Rode saying the thinner cable was reinforced by some kind of material. Hopefully that is correct. If it is then the thinner cable is probably a good thing. Also there is a mistake at the 4 min mark where I accidentally refer to the original Rode VideoMic as the VideoMic Pro. It's to late to fix that one, sorry guys. You can pick up the Rode VideoMic here: www.amazon.com You can pick up the Rode VideoMic Pro here: www.amazon.com Equipment used in this video: Canon 7d & t2i Canon 35mm f1.4 Canon 24mm f1.4 Sigma 24mm f1.8 Zoom h4n Rode VideoMic Pro Rode ...
Thursday, 31 January 2013
Rode Videomic vs Zoom H1
Rode Videomic vs Zoom H1 Video Clips. Duration : 3.67 Mins.
A comparison between the Rode Videomic and the Zoom H1, probably the two most popular audio solutions for budget DSLR filmaking. Rode Videomic: goo.gl Zoom H1: goo.gl Camera: Canon 60D Lenses: 50mm USM Setting: 24FPS, 1/50", 320-640 ISO, Technicolor Picture Style Music: Soundtrack Pro Editing: Final Cut X
A comparison between the Rode Videomic and the Zoom H1, probably the two most popular audio solutions for budget DSLR filmaking. Rode Videomic: goo.gl Zoom H1: goo.gl Camera: Canon 60D Lenses: 50mm USM Setting: 24FPS, 1/50", 320-640 ISO, Technicolor Picture Style Music: Soundtrack Pro Editing: Final Cut X
Labels:
Videomic
Sunday, 27 January 2013
Zoom H1 vs Rode Videomic into Canon 5D Mark III
Zoom H1 vs Rode Videomic into Canon 5D Mark III Video Clips. Duration : 3.70 Mins.
www.learningdslrvideo.com I got the Zoom H1 in for review, I love it's small size. I wanted to compare it to the mic I have been using for the past two year the Rode Videomic. Royalty free music by PremiumBeat.com See my site for links to the products.
www.learningdslrvideo.com I got the Zoom H1 in for review, I love it's small size. I wanted to compare it to the mic I have been using for the past two year the Rode Videomic. Royalty free music by PremiumBeat.com See my site for links to the products.
Monday, 21 January 2013
Canon T2i/550D 7D Disable AGC Automatic Gain Control Hack for the Rode Videomic
Canon T2i/550D 7D Disable AGC Automatic Gain Control Hack for the Rode Videomic Video Clips. Duration : 5.82 Mins.
Watch part 2 here: www.learningdslrvideo.com s you can see by the video below I finally figured out how to disable or bypass the AGC (Automatic Gain Control) on my Canon T2i 550D while using the Rode VideoMic. (This will work for the Canon 7D as well). I ran across a good video by Mike B at IamTheMikeB.com, he explain how to disable the AGC which I had to give a try. But I couldn't get his hack to work for my Rode Videomic and judging the comments on his video no one else could either. I made 3 trips to Radio Shack but none of these adapters worked. Don't buy the ones I got if you have a Rode VideoMic. I didn't want to get a JuicedLink or a Zoom H4N or anything else that would add time and steps to my DSLR video workflow, I like to keep it cheap and simple. perhaps someday Canon will be nice and provide a firmware update for the AGC, but I didn't want to wait any longer. The problem is Canon designed a poor automatic gain control AGC which would have been better if they left it out of the design all together. What happens is if you talk really loud into the microphone the AGC will bring your level down which eliminates the hiss, but only 1 second later after you stop talking it brings the level all the way up again (along with the hiss). What we want to do is clamp the AGC down and keep it there to keep the hiss away so we can have nice clean audio. To do this I use an old cheap mp3 player I had collecting dust to playback a 1 hour 19kHz sine wave tone by sending the tone ...
Watch part 2 here: www.learningdslrvideo.com s you can see by the video below I finally figured out how to disable or bypass the AGC (Automatic Gain Control) on my Canon T2i 550D while using the Rode VideoMic. (This will work for the Canon 7D as well). I ran across a good video by Mike B at IamTheMikeB.com, he explain how to disable the AGC which I had to give a try. But I couldn't get his hack to work for my Rode Videomic and judging the comments on his video no one else could either. I made 3 trips to Radio Shack but none of these adapters worked. Don't buy the ones I got if you have a Rode VideoMic. I didn't want to get a JuicedLink or a Zoom H4N or anything else that would add time and steps to my DSLR video workflow, I like to keep it cheap and simple. perhaps someday Canon will be nice and provide a firmware update for the AGC, but I didn't want to wait any longer. The problem is Canon designed a poor automatic gain control AGC which would have been better if they left it out of the design all together. What happens is if you talk really loud into the microphone the AGC will bring your level down which eliminates the hiss, but only 1 second later after you stop talking it brings the level all the way up again (along with the hiss). What we want to do is clamp the AGC down and keep it there to keep the hiss away so we can have nice clean audio. To do this I use an old cheap mp3 player I had collecting dust to playback a 1 hour 19kHz sine wave tone by sending the tone ...
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