Learn some great tips on how to set up a microphone and how they work in this free video clip on amplification and amplifiers. Expert: Jim Dufresne Bio: Jim ...
Showing posts with label Techniques. Show all posts
Showing posts with label Techniques. Show all posts
Thursday, 7 March 2013
Tips & Techniques For Acoustic Amplifiers : How to Set Up a Microphone
Tips & Techniques For Acoustic Amplifiers : How to Set Up a Microphone Tube. Duration : 2.30 Mins.
Learn some great tips on how to set up a microphone and how they work in this free video clip on amplification and amplifiers. Expert: Jim Dufresne Bio: Jim ...
Learn some great tips on how to set up a microphone and how they work in this free video clip on amplification and amplifiers. Expert: Jim Dufresne Bio: Jim ...
Wednesday, 6 March 2013
Blue Yeti USB Microphone: Unboxing & Review
Blue Yeti USB Microphone: Unboxing & Review Video Clips. Duration : 4.65 Mins.
Check Down Here For More Information: The Blue Microphones Yeti is a USB condenser microphone that has some awesome features Get It Here: http://www.amazon.c...
Check Down Here For More Information: The Blue Microphones Yeti is a USB condenser microphone that has some awesome features Get It Here: http://www.amazon.c...
Saturday, 26 January 2013
Ableton Live Tips #7: Vocal Effect Techniques (Radiohead, Nosaj Thing)
Ableton Live Tips #7: Vocal Effect Techniques (Radiohead, Nosaj Thing) Video Clips. Duration : 12.78 Mins.
Read more: bit.ly In this week's Ableton Live tutorial, Professor Nalepa demonstrates three (3) effect techniques for spicing up your vocals. Inspired by the field trip his Advanced Tech class took this week to Low End Theory to catch a secret DJ set by Thom Yorke, he uses the lead vocal of Radiohead 'Reckoner' to demonstrate the first technique: reversing it, routing it out through reverb, resampling the reverb, reversing the resampled reverb and laying that back underneath the original forward vocal to get a haunting, ghostly premonition-style effect used in a lot of popular dance tracks. He also deconstructs tracks from his friend Nosaj Thing and former students It's Not Over Quebec, showing how they utilized sidechain compression and sidechain gating to achieve impressive results. Nosaj Thing released his debut album Drift and the follow up Drift Remixes on Alpha Pup Records. He is currently putting the finishing toucheson his second album and will be playing an audiovisual set at Coachella on Friday (April 15th) this year. Here is a free download of "Coat of Arms", the song used in this example.
Read more: bit.ly In this week's Ableton Live tutorial, Professor Nalepa demonstrates three (3) effect techniques for spicing up your vocals. Inspired by the field trip his Advanced Tech class took this week to Low End Theory to catch a secret DJ set by Thom Yorke, he uses the lead vocal of Radiohead 'Reckoner' to demonstrate the first technique: reversing it, routing it out through reverb, resampling the reverb, reversing the resampled reverb and laying that back underneath the original forward vocal to get a haunting, ghostly premonition-style effect used in a lot of popular dance tracks. He also deconstructs tracks from his friend Nosaj Thing and former students It's Not Over Quebec, showing how they utilized sidechain compression and sidechain gating to achieve impressive results. Nosaj Thing released his debut album Drift and the follow up Drift Remixes on Alpha Pup Records. He is currently putting the finishing toucheson his second album and will be playing an audiovisual set at Coachella on Friday (April 15th) this year. Here is a free download of "Coat of Arms", the song used in this example.
Wednesday, 23 January 2013
The Basement - Drum Recording Techniques You Should Know
The Basement - Drum Recording Techniques You Should Know Video Clips. Duration : 9.30 Mins.
(please watch in high quality, the video's better but more importantly the sound is better! Also this one will sound much better on headphones due to the importance of the stereo imaging.) NOTE: The heads used in this video were very old stock heads, beaten up to the point that even tuning them did not make them sound great (which is how they are in the video - tuned, but old as hell). I have responded to many comments about this. This is a video about recording technique, it is not intended to be a demo of what an amazing drum sound is like, take it for what it is. There was no EQ used on these tracks, just a bit of ITB compression to help the sound transfer to Youtube better (hopefully). Correction: In the video I said I used a D12 on kick, but I meant to say D112. Two definitely different mics! Mics used: XY: (2) MXL 603S Spaced pair: (2) MXL 603S Recorderman: (2) MXL 603S Glyn Johns: (2) MXL 603S (you should use matched LDCs in stead of SDCs if possible), SM57, AKG D112 Close micing: (2) MXL 603S, SM57, AKG D112, Nady DM70, Nady DM80 Observations: XY: Stereo spread isn't too wide, so it's great in places you might use mono drums but want a little more depth. Not the best reproduction of toms, but easy to get a good snare and kick sound. Spaced Pair: More high end frequencies than the other techniques. Much wider stereo image than XY, sounds a bit unnatural but is a great way to add stereo information to mixes that are mostly mono/panned center. Recorderman: Similar ...
(please watch in high quality, the video's better but more importantly the sound is better! Also this one will sound much better on headphones due to the importance of the stereo imaging.) NOTE: The heads used in this video were very old stock heads, beaten up to the point that even tuning them did not make them sound great (which is how they are in the video - tuned, but old as hell). I have responded to many comments about this. This is a video about recording technique, it is not intended to be a demo of what an amazing drum sound is like, take it for what it is. There was no EQ used on these tracks, just a bit of ITB compression to help the sound transfer to Youtube better (hopefully). Correction: In the video I said I used a D12 on kick, but I meant to say D112. Two definitely different mics! Mics used: XY: (2) MXL 603S Spaced pair: (2) MXL 603S Recorderman: (2) MXL 603S Glyn Johns: (2) MXL 603S (you should use matched LDCs in stead of SDCs if possible), SM57, AKG D112 Close micing: (2) MXL 603S, SM57, AKG D112, Nady DM70, Nady DM80 Observations: XY: Stereo spread isn't too wide, so it's great in places you might use mono drums but want a little more depth. Not the best reproduction of toms, but easy to get a good snare and kick sound. Spaced Pair: More high end frequencies than the other techniques. Much wider stereo image than XY, sounds a bit unnatural but is a great way to add stereo information to mixes that are mostly mono/panned center. Recorderman: Similar ...
Friday, 18 January 2013
Recording Acoustic Guitar Microphone Techniques Dustin Prinz Music Lesson Tutorial
Recording Acoustic Guitar Microphone Techniques Dustin Prinz Music Lesson Tutorial Video Clips. Duration : 8.10 Mins.
CD's HERE www.dustinprinz.com ITUNES itunes.apple.com FACEBOOK www.facebook.com TWITTER twitter.com Equipment Used: Pro Tools Le Digidesign Pro Tools Digi 002 Interface Macbook Taylor 514 CE Blue Bluebird Shure ksm 27 microphone
CD's HERE www.dustinprinz.com ITUNES itunes.apple.com FACEBOOK www.facebook.com TWITTER twitter.com Equipment Used: Pro Tools Le Digidesign Pro Tools Digi 002 Interface Macbook Taylor 514 CE Blue Bluebird Shure ksm 27 microphone
Tuesday, 15 January 2013
Drumset Minimal Miking Techniques: Kel Mics
Drumset Minimal Miking Techniques: Kel Mics Tube. Duration : 9.93 Mins.
INSTRUCTIONAL DVD IMPROVE YOUR GROOVE Download with no shipping costs and no wait. Click on link below to view trailer maxsansalone.com
INSTRUCTIONAL DVD IMPROVE YOUR GROOVE Download with no shipping costs and no wait. Click on link below to view trailer maxsansalone.com
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